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Rachmaninoff is quoted as saying: "I look at my early works
and see how much there is that is superfluous. Even in my sonata...
so many voices are moving simultaneously, and it is too long. Chopin's
Sonata lasts nineteen minutes, and all has been said." Interestingly,
Rachmaninoff's 1931 revision reduced the playing time of the Second
Sonata from twenty-six minutes to nineteen minutes. Entire sections
were excised, melodic lines altered, textures thinned and passages
refashioned.
Obsessively self- critical and prone to frequent revision of his
works, Rachmaninoff searched through-out his creative life for greater
economy and simplicity of expression. While some revisions are generally
regarded as definitive "improvements," e.g. the First
Piano Concerto, I do not feel this is the case with the Second Sonata.
In the 1931 revision, Rachmaninoff really re-cast the material from
the early version, with a changed perspective, into a very different
mold.
We know the virtues and beauties of the 1931 version. But, once
we examine the 1913 version, we cannot help but fall in love with
its many glories: the climax and sumptuous fortissimo chords in
the first movement; the ravishingly beautiful last page of the second
movement; and the dizzying virtuosic splendor of the finale.
Although copies of the 1913 version have existed in western libraries
and private collections, few musicians have known where to find
them. I have discovered no one in this country who remembers a public
performance of the complete 1913 version until my own performances
(and recording*) of it during the 1985 - 1986 season. But there
has long been, among pianists, a kind of legendary curiosity about
this version, piqued in a large measure by Vladimir Horowitz's wonderfully
effective re-working of the Sonata -- a mixture of the 1913 and
1931 versions.
Program Notes from the International Music Company
Edition of this Sonata by John Browning
Since Browning's 'outing' of the original version in it's entirety,
it has gained popularity and has also been released by the original
publisher, Boosey and Hawkes. Browning's notes and editorial markings
may be found in the International Music Company's edition of this
sonata. NOTE that in the IMC printing there are important errors
made. For more info on these errors, e-mail
me.
In addition to this Sonata, Rachmaninoff also revised the following
works:
- First Concerto, op. 1
- Melodie, op. 3, no. 3
- Serenade, op. 3, no. 5
- Baracarolle, op. 10, no. 3 (small changes)
- Humoresque, op. 10, no. 5
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